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કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશે

By Madhusudan Dhanki

Vol. 432020-2022pp. 205-214Gujarati

Summary

This historical essay investigates when the Jain monk Bhadrasuri lived and when he composed the poetic work **Kalapi**. Scholars have dated him anywhere from the eleventh to the fourteenth century, so Madhusudan Gandhi surveys Jain chronicles, monastic genealogies and inscriptions to refine the chronology. He summarises previous theories and introduces evidence from colophons and manuscript notes. Gandhi analyses genealogical charts of the Candrasuri lineage and correlates the succession of teachers and disciples with dated events to narrow the timeframe for Bhadrasuri. He also compares references in commentaries that mention rulers or astronomical events and evaluates which sources are reliable. Linguistic analysis of **Kalapi** suggests that its archaic vocabulary and metre align with twelfth‑century Jain literature. Synthesising genealogical, textual and linguistic evidence, Gandhi argues that Bhadrasuri most likely lived between V.S. 1150–1200 (c. 1093–1143 CE). The article acknowledges uncertainties but contends that this period fits the majority of data. Gandhi discusses Bhadrasuri’s philosophical contributions and influence on later authors, emphasising that accurately dating his life clarifies the chronology of Jain literary history. The essay concludes with a detailed bibliography of sources consulted.

Conclusion

The study concludes that the weight of genealogical and textual evidence places Bhadrasuri in the twelfth century. Establishing this timeframe helps situate his work **Kalapi** in the broader development of Jain literature and philosophy. Gandhi emphasises the importance of critically evaluating sources and suggests that future discoveries of inscriptions or manuscripts may further refine the chronology.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan DhankiCurrent article215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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